People of the Bauhaus
The directors, masters, workshop heads, and students who made the Bauhaus what it actually was — and how the cast changed with every phase.
Read articleThe people, the buildings, the objects, and what happened after the school closed in 1933.
The Bauhaus opened in Weimar in 1919 and was forced to close in Berlin in 1933 — three cities, three directors, shifting politics.
The directors, masters, workshop heads, and students who made the Bauhaus what it actually was — and how the cast changed with every phase.
Read articlePick whoever interests you. It all connects.
From Gropius and Meyer to Stölzl and Brandt — directors, painters, weavers, and typographers who gave the school its character.
Browse figuresThe chair, the teapot, the building, the lamp — objects that make the ideas tangible.
Browse worksWeimar, Dessau, Berlin — the cities where Bauhaus took shape.
Browse placesBauhaus student who designed the children's room for the Haus am Horn and the Ship Building Game — objects that remain among the clearest demonstrations of Bauhaus principles applied directly to everyday domestic life.
Read profileWeaver, textile designer, and the Bauhaus graduate who proved that thread could be an architectural material — not decoration, but structure.
Read profileBauhaus-trained architect who took Hannes Meyer's social functionalism to Palestine and spent the following decades building the social housing, hospitals, and national infrastructure of a new state.
Read profileEarly Bauhaus student and Gropius assistant who channelled the school's functionalist premises into the world's most widely used architectural reference handbook.
Read profilePainter and Form Master of the weaving workshop whose most lasting contribution was a building he designed as a non-architect — the Haus am Horn, the school's first complete demonstration of total design.
Read profileFounding master and Form Master of the ceramics workshop at Dornburg — five years in a rural satellite studio that represent the Bauhaus's most sustained investment in handcraft as an equal partner to fine art.
Read profile